Filming In Missouri
 
 
In October 1999, Peterson and Ratliff left their respective homes in L.A. and London, and met in the American Midwest to prepare for the imminent shoot.  The last feature film made in Jefferson City, Missouri, was 1961’s Hoodlum Priest (directed by a young Irvin Kershner), so the creative team was dealing with a community that was not accustomed to dealing with the rigors of independent movie-making.

 
 
 

 

 
 


For five weeks, the crew was crammed into one small, furnished house that served as living quarters, production office, and a primary location for the movie.  There were the usual problems associated with low-budget cinema—a frenzied shooting schedule, unforeseen technical glitches, sheer physical exhaustion—and a few cases of extremely bad luck.

With several key scenes to be filmed in “Ryan and Amy’s house,” the crew returned one day to find all of the dining room furniture had suddenly disappeared.  It turns out that while the filmmakers were out on location, the landlords had entered the premises to remove some of their belongings, leaving a huge empty space in the middle of Ryan and Amy’s living room area.  Panic ensued, and the remaining scenes had to be cleverly re-imagined in order to avoid massive continuity errors.

 
 
 
On the whole, however, local businesses and townspeople were curious and helpful, if somewhat bewildered by the scope of the enterprise.  Aside from the occasional visit from a starry-eyed local hoping to land a speaking role, most people kept a respectful distance and allowed filming to go on without interference.

Throughout the shoot, the weather was kind enough to remain consistent, if unexpectedly sunny for the middle of November.  Filming wrapped in early December, just days before an enormous storm front moved in and changed the face of Mid-Missouri into a winter snowscape.

 
 
Cast and Crew
                    PART THREE:
Editing In L.A.
  

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